Monday, March 30, 2009
Drum Machine into the Tape Deck
pic via our friends at matrixsynth
OK, new tricks:
VL-Tone drum machine --> Input 5 on Tascam Board -->
Submix Out 5--> Tascam 122 Tape Deck --> Tape Monitor Out on 122 -->
Input 1 on Tascam Board --> Buss 4 on Tascam Board --> Fostex 250 4-track
Does that seem complex? Well... it is. Basically what I'm doing is using the board and 122 to overdrive and eq, then tape saturate the signal before bringing it back into the 4 track. In more simple terms I'm recording the recording of the VL-Tone. It's fucking awesome. Additionally I cranked the bass at about 60hz to make it hit a little harder.
You have to be careful with it, but you can also get an infinite repeats feedback loop going by feeding a little of Submix out 1 (the signal that's going to the 4 track) into the 122. Cranking it past 1 or 2 will blow everything up (which might be cool if you sampled it), so be forewarned.
You get a lot of natural tape compression from the saturation which I think adds a ton of punch (or Dick/Fuck as we say in the industry) and I might start doing it with all drums/drum machines. Sadly this technique can only work with the first track you lay down because of the several ms of latency between the original input and the output from the 122 back to the 4-track.
Remember you can only do this if your tape deck has 2 or more heads and both a TAPE and SOURCE monitor switch. Of course if your deck has a speed switch and fine adjust knob, you can use it as a slap back echo.
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